Light Tunnel: Light Installation WAVEFRAME
WaveFrame is the first of a series of installations based on RGB LED tubes and a new software development line.
Installed for the DGTL festival in August 2016 in Barcelona, WaveFrame parasites a public sculpture formed by square arches for a total length of around 70 meters, creating a light tunnel where people could stand and pass by.
Using oscillator generated pixel textures, wave forms fill the led tubes with oscillating light. When delayed from one arch to the other, light creates perspective and time effects, reinforcing the idea of traveling inside a tunnel.
- led tubes
- led installation
- rgb led tubes
- light installation
- led light tunnel
- light tunnel
- algorithmic light
- algorithmic light installation
Taken with Canon Canon EOS 6D
- 33 mm
- f f/2.8
- ISO 100
Услуги в Кью Королевский ботанический сад, Лондон (GB)
Три художественные установки, которые, выставлялись в самом сердце садов
- Crystal Tree:
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- Огромные Тростники:
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High on the list of technologies that delivered such a memorable and moving London 2012 opening ceremony were the ‘pixels’ that turned the Olympic Stadium seating into a giant video screen.We were directly brought in by TAIT Technologies to work on this with their direction. We used 37 Ai Media Servers and 4 Sapphire-Midi Controllers to control the video on the 70,500 pixel tablets situated within the audience seating, as well as to control all LED & projection screens throughout the stadium. The ‘landscape screen’ is recognised by the Guinness World Book of Records as the ‘World’s Largest LED Screen‘.
Immersive had a long-standing ambition of representing UK design in the 2012 Olympic games. We had always liked the idea of creating an ‘immersive’ video screen and soon were approached by the only company in the world who could manufacture such a dream – Tait Technologies. They had technically researched such an idea and already developed the installation into the form of tablet batons that each had 9 LED pixels in a 3×3 array. Each seat was equipped a tablet. All 70,500 of them were manufactured by Tait Technologies. The tablets measure 134mm square, and the pixel pitch is 50mm. Each pixel is individually programmable. The viewing angles are 180º both horizontally and vertically.
We supplied bespoke templates that made animating on the warped screen possible to the animation teams working for ceremony director, Danny Boyle. We controlled all of the LED batons and mapped all content to the unique fixtures with our custom-made media server, Ai, which was the main media server used by the London 2012 ceremonies.
“We chose Ai because of Avolites’ substantial and long history in the field of entertainment; and quite simply this is one of the only server systems that can handle mapping on such huge scale. The Olympics was a one-shot event – it had to be perfect – and the strength of the company reputation is reassuring to all those involved. Managing this volume of mapping is easy with the Ai software.”
– Frederic Opsomer, CEO of Tait Technologies
We used 37 Ai Media Servers and 4 Sapphire-Midi Controllers, all were operated live by Immersive and Avolites Media technical staff. We controlled Installations including: 70,000 Audience LED Pixels, x5 Spice Girls London Taxis, x4 Freddy Mercury moving Projection Screens, x4 Stadium 30m Audience LED Screens, Coldplay Live Stage projection plus all Stadium IMAG screens. For the closing ceremony dance party highly anticipated Spice Girl’s reunion preformance, 5 of London’s famous Black Taxi’s were fitted on the exterior with LED by Tait and equipped on the interior with five mobile Ai servers to control the videos. Special thanks to Dave Green, Trey Harrison, Mark Calvert, JB Toby, and Martin Harvey.
Red Hot Chili Peppers revealed the largest, automated, kinetic light installation in concert touring historyBy ✌ Robert Lights
Chili Peppers Get Away With Largest Touring Kinetic Lighting Installation
Since opening night, social media has erupted with videos, hashtags and comments with fans describing it as “a dream come true,” “a show you can’t miss,” “genius,” “spectacular,” “the best concert I have ever seen.” Even more so, the fans were impressed with the “dynamic glow” from the kinetic light installation that created a nonstop, contagious spirit throughout the night.
The kinetic display used over 1000 TAIT Nano Winches to deploy the connected LED light fixtures which hung above the crowd and traveled 60 feet perpendicular to the stage. The light fixtures moved 10 feet per second, horizontally, vertically, in and out of unison, into shapes and into the bands logo, while changing colors from all spectrums of the RGB color grid.
The rhythmic lighting and juggernaut movements of the fixtures were accented by the video content being displayed on the massive screen behind the band.
The Peppers’ main focus for The Getaway Tour was to provide the audience with an immersive, three-dimensional concert experience, while feeling every groove and lick of their music. To achieve the goal, the Peppers team, which includes Production Manager, Narci Martinez, Production Designer, Scott Holthaus and Manager Peter Mensch of Q-Prime immediately began designing the show and searching for the latest in technology and art. Mensch ultimately determined, after numerous conversations and viewing TAIT’s latest product, TAIT Nano Winch, that TAIT would be the provider of staging, automation, and, of course, the larger than life kinetic light installation powered by TAIT Nano Winches.
PRISMAtique was a temporary installation for the In Light In Indianapolis Light Festival along the canal downtown. The project seeks to investigate the fracturing of geometry and light through both material and interaction. Material selection was key to this exploration. Through the use of twin wall polycarbonate, light is refracted through the flutes of the material, disguising the origin of light. Each cell only contains one LED, yet through the layering of the extruding panels, the light begins to overlap and create a complex visual effect.
This fracturing of light is driven through the project’s interaction. As users trigger sensors in the piece, a sequence of associated LED’s are activated. Because the sequence is inherently random and the LED’s are only momentary, the sources are not apparent. However, the fractured path of users walking through the environment is clear. Each LED is filtered with a custom printed Mylar film that creates at gradient of light from cyan to magenta. The soffit blends white light and printed films to create an exciting three-dimensional atmosphere for users to experience.
Our work was among over 25 other projects from national and international artists, encouraging exploration and participation. This inaugural event lasted for two nights attracting thousands of people to the canal, providing provide unique and memorable experiences.