“Beyond”, Light and Sound Installation. Signal Festival, Prague. 2017
"BEYOND" is an immersive audiovisual installation that explores relationships between space, time and perception. A geometrical architecture transforms space into a container for the abstract language of light and sound.
BEYOND is also a study on visual and auditory perspective. By generating a long tunnel, vanishing points are made visible, reinforcing depth effects and the perception of scale. A cluster of speakers along the tunnel mimic this very same perspective and depth effect through sound.
Услуги в Кью Королевский ботанический сад, Лондон (GB)
Три художественные установки, которые, выставлялись в самом сердце садов
- Crystal Tree:
мульти-многовековая Дуб покрыт кристаллами irdescent освещения. Когда солнечный свет просвечивает дихроичный материал, кристаллы литых цветных тени многочисленной Среди ветвей.
- Огромные Тростники:
Как освещения камыш, 8е белые трубы двигаются с ветром. Они , кажется, становится живым , когда наступает ночь, как будто легкий сок Были ciculating с помощью ИКТ тела в нескольких анимированных сценариев освещения.
Поле освещения Vegetals Кажется To-расцвели в парке. Почти 80 световых растений покрывают траву, и медленно pulste Когда наступает ночь.
By LEDs ★☆★
High on the list of technologies that delivered such a memorable and moving London 2012 opening ceremony were the ‘pixels’ that turned the Olympic Stadium seating into a giant video screen.We were directly brought in by TAIT Technologies to work on this with their direction. We used 37 Ai Media Servers and 4 Sapphire-Midi Controllers to control the video on the 70,500 pixel tablets situated within the audience seating, as well as to control all LED & projection screens throughout the stadium. The ‘landscape screen’ is recognised by the Guinness World Book of Records as the ‘World’s Largest LED Screen‘.
Immersive had a long-standing ambition of representing UK design in the 2012 Olympic games. We had always liked the idea of creating an ‘immersive’ video screen and soon were approached by the only company in the world who could manufacture such a dream – Tait Technologies. They had technically researched such an idea and already developed the installation into the form of tablet batons that each had 9 LED pixels in a 3×3 array. Each seat was equipped a tablet. All 70,500 of them were manufactured by Tait Technologies. The tablets measure 134mm square, and the pixel pitch is 50mm. Each pixel is individually programmable. The viewing angles are 180º both horizontally and vertically.
We supplied bespoke templates that made animating on the warped screen possible to the animation teams working for ceremony director, Danny Boyle. We controlled all of the LED batons and mapped all content to the unique fixtures with our custom-made media server, Ai, which was the main media server used by the London 2012 ceremonies.
“We chose Ai because of Avolites’ substantial and long history in the field of entertainment; and quite simply this is one of the only server systems that can handle mapping on such huge scale. The Olympics was a one-shot event – it had to be perfect – and the strength of the company reputation is reassuring to all those involved. Managing this volume of mapping is easy with the Ai software.”
– Frederic Opsomer, CEO of Tait Technologies
We used 37 Ai Media Servers and 4 Sapphire-Midi Controllers, all were operated live by Immersive and Avolites Media technical staff. We controlled Installations including: 70,000 Audience LED Pixels, x5 Spice Girls London Taxis, x4 Freddy Mercury moving Projection Screens, x4 Stadium 30m Audience LED Screens, Coldplay Live Stage projection plus all Stadium IMAG screens. For the closing ceremony dance party highly anticipated Spice Girl’s reunion preformance, 5 of London’s famous Black Taxi’s were fitted on the exterior with LED by Tait and equipped on the interior with five mobile Ai servers to control the videos. Special thanks to Dave Green, Trey Harrison, Mark Calvert, JB Toby, and Martin Harvey.
Red Hot Chili Peppers revealed the largest, automated, kinetic light installation in concert touring historyBy Robert Lights ✌
Chili Peppers Get Away With Largest Touring Kinetic Lighting Installation
Since opening night, social media has erupted with videos, hashtags and comments with fans describing it as “a dream come true,” “a show you can’t miss,” “genius,” “spectacular,” “the best concert I have ever seen.” Even more so, the fans were impressed with the “dynamic glow” from the kinetic light installation that created a nonstop, contagious spirit throughout the night.
The kinetic display used over 1000 TAIT Nano Winches to deploy the connected LED light fixtures which hung above the crowd and traveled 60 feet perpendicular to the stage. The light fixtures moved 10 feet per second, horizontally, vertically, in and out of unison, into shapes and into the bands logo, while changing colors from all spectrums of the RGB color grid.
The rhythmic lighting and juggernaut movements of the fixtures were accented by the video content being displayed on the massive screen behind the band.
The Peppers’ main focus for The Getaway Tour was to provide the audience with an immersive, three-dimensional concert experience, while feeling every groove and lick of their music. To achieve the goal, the Peppers team, which includes Production Manager, Narci Martinez, Production Designer, Scott Holthaus and Manager Peter Mensch of Q-Prime immediately began designing the show and searching for the latest in technology and art. Mensch ultimately determined, after numerous conversations and viewing TAIT’s latest product, TAIT Nano Winch, that TAIT would be the provider of staging, automation, and, of course, the larger than life kinetic light installation powered by TAIT Nano Winches.