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  1. Увеличить Светильник -лилии Любовь изделия из бисера и дерева (L-Kostenko) 2 000 руб В корзину Купить сейчас
  2. Увеличить Светильник ночник светодиодный "Синий лотос" Ольга Черных Пушинка 1 800 руб В корзину Купить сейчас
  3. Увеличить Светильник светодиодный настенный "Квадро" 3 Вт Алексей, Уральский коряжник 1 200 руб В корзину Купить сейчас
  4. Увеличить светильник " Английская телефонная будка" ночник для интерьера . Экспедиция "Юго-восток" 6 500 руб В корзину Купить сейчас
  5. Public art commission for 350 Mission Building in City of San Francisco, California S|N|A manufactured and installed a high-resolution LED video wall at 350 Mission Street in San Francisco. The state-of-the-art 6 mm LED display was unveiled to the public during a digital art show organized by owner Kilroy Realty Corporation. The LED video wall was installed as part of a new office tower developed by Kilroy Realty. The 30-story high-rise is located on the north corner of Fremont and Mission streets in San Francisco’s newest business district. The building is adjacent to the site of the Transbay Transit Center. Public Unveiling: Digital Art Show Kilroy Realty and the City of San Francisco commissioned acclaimed media artist Refik Anadol to create an immersive public art installation on the LED canvas for the unveiling event. Anadol's work was titled "Virtual Depictions: San Francisco." The show included a series of parametric data sculptures telling the story of the city and the people around San Francisco within a unique artistic approach, according to Anadol's site. "I'm very, very satisfied," said Anadol about the unveiling event. "Having a dynamic artwork and real-time data sculpture concept was a stress on the creation side, but in the end it fit perfectly for the City of San Francisco. This is the first time I have used such a high-end system." Almost 7 Million Pixels The high-resolution LED screen is part of S|N|A’s indoor S|Video™ line of high-end video products. It features a 6 mm pixel pitch, meaning the center of each pixel is only .24” inches from the center of an adjacent pixel. At 38’7” high by 68’6” wide, the installation consists of 2,643 square feet of digital canvas. The interior LED display wraps around a 90-degree lobby wall corner. S|N|A designed and manufactured a custom corner module for the project, providing in a tight seam at the turn. The display includes 1,960 pixels high by 3,480 pixels wide including the side wall. The resolution of the lobby wall display consists of 6,820,800 pixels. Open-Ended Software System A huge benefit of the S|N|A display system at 350 Mission, where various artists and content managers will provide digital content, is its flexibility and compatibility with a wide range of software products. “For the project, I needed to create a custom software and hardware setup in order to achieve some complex real-time graphics,” said Anadol, a lecturer at UCLA’s Department of Design Media Arts. “And the system was designed completely open-ended for possible creative inputs. It was extremely easy and user-friendly.” The LED display system is capable of displaying 4K content natively, but the screen can also be segmented for a variety of looks and purposes. It can play a combination of animations, video, imagery and live data simultaneously. The system includes an audio component as well. S|N|A designed and installed speakers throughout the lobby floor that work in concert with the video content. S|N|A partners Analog Way and Visual Image Display were instrumental throughout the project, including system visualization, engineering, and hands-on support during installation. ‘Virtual Depictions:San Francisco’ is a public art project by media artist Refik Anadol consist of series of parametric data sculptures that tell the story of the city and people around us within a unique artistic approach for 350 Mission’s media wall in collaboration with Kilroy Realty Corporation / John Kilroy and Skidmore, Owings & Merrill LLP Architects. The main idea of ‘Virtual Depictions:San Francisco’ is to bring 21st century approach to public art to define new poetics of space through media arts and architecture and to create a unique parametric data sculptures that has an intelligence, memory and culture. Through architectural transformations of media wall located in 350 Mission’ lobby, home of Salesforce, main motivation with this seminal media architecture approach is to frame this experience with a meticulously abstract and cinematic site-specific data-driven narration. As a result, this media wall turns into a spectacular public event making direct and phantasmagorical connections to its surroundings through simultaneous juxtapositions. The project also intends to contribute to contemporary discourse of public art by proposing a hybrid blend of media arts and architecture in 21st century. Original: snadisplays
  6. Lighting control - Court of Final Appeal What was described as one of the significant colonial-era buildings in Hong Kong, the 103-year-old Court of Final Appeal now features a modern and brilliant historical block in Central. The exterior of the neo-classical style architecture was declared as a monument since 1984 and it was also used to house the former Supreme Court and Legislative Council. After the completion of renovation, the landmark block starts to operate in September 2015 and it is home to the final appellate court as well as a crucial part in Hong Kong’s common law development. Traxon develops a dynamic lighting solution that celebrates a century of historical architectural elements of the building. 261 Traxon Wall Washer Shield AC XB in warm white with 30 degree of optics are mounted in the windows and roof top which is a perfect solution to highlight the architecture of the façades. Schneider BMS system is used as a main lighting control that generates DMX signals to control the color temperatures with different time periods on each day. The stunning and glamorous façade turns the prestigious block of Court of Final Appeal into a modern and vibrant architecture that dazzles the passerby and visitors. Lighting control - Court of Final Appeal. Original: traxontechnologies
  7. De LedWood boomstamlamp is bijzonder doordat de natuurlijke vorm intact is gebleven. Het is niet alleen functioneel, doordat het een lamp is, het is ook een kunstwerk voor in huis. Elke lamp is uniek van vorm. Door het gebruik van natuurlijke materialen past het in veel verschillende interieurs. De combinatie van eikenhout en een energiezuinige LED-strip maakt de boomstam duurzaam en dat is iets wat ik erg belangrijk vind. In mijn tas heb ik altijd een klein schetsboekje op zak waar ik mijn eerste schetsen in kan maken. Nadat de ideeën duidelijk zijn en het ontwerp op papier staat, begin ik met het maken van de eerste prototypes in mijn eigen kleine werkplaats. Het is leuk om te zien hoe zo’n schets ineens werkelijkheid wordt. Orijinal: roomed
  8. A new five-metre high interactive installation responds to the built environment of the Victoria Cross intersection in North Sydney and will be a great selfie spot. The sculptural form, angles of incidence, is composed of differently angled planes of a reflective, interactive, safety glass referencing the multiplicity of reflections on a faceted surface. Says Davis: “The dialogue between the sculpture and its surroundings is a metaphor for the ‘interactions’ that have happened on this site from its pre-colonial past to the commercial and entertainment precinct it is now.” By night, it changes from a reflective form into a glowing icon, a marker point, a location finder, an announcement. A blue LED light source creates a glowing icon of extraordinary visual beauty. Blue is the colour of calm and of infinity, a reference to the past, present and future importance of this site as a place of social and physical intersection/convergence. Orijinal: illumni