Jamie A.

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Jamie A. last won the day on July 25

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  1. Galleries • Museums LED Lighting Fixtures & Systems

    The Museu de Cultures del Món (Museum of World Cultures) in Barcelona presents outstanding works from around the world in medieval Catalan buildings. Architecture and art are set off perfectly thanks to the ERCO lighting tools Optec and Pollux A death mask from Ghana, a Buddha statue from Burma, an incense holder from Guatemala. Selected non-European ritualistic and everyday objects are cherished as sought-after collector's items on the international art market. Compared to modern Western works though they are subject to other sets of rules. Because most objects are not signed they usually cannot be assigned to specific artists – their value is defined according to the collections that housed them. The Museu de Cultures del Món makes works from several renowned institutes such as the Folch Foundation and the Ethnological Museum Barcelona accessible to the interested public. As often found in archaeological and ethnological museums, the Museu de Cultures del Món presents many of its exhibits in display cabinets. Here both general lighting of the room and accenting the objects with spotlights had to be ensured. Even though the cabinets are illuminated externally, no reflections from either the light or windows must occur on their panes. Due to reasons of conservation the temperatures in the cabinets must also remain constant. ERCO LED lighting tools are the ideal solution thanks to their heat dissipation to the rear of the luminaire. The tops of high display cabinets can also be used for light guidance with the use of frosted panels. When the directed light of a spotlight penetrates the semi-transparent material, it creates diffuse ambient lighting with precision accents. This approach is used at the Museu de Cultures del Món, for example, to set off a collection of African masks with uniquely expressive illumination. Source: erco
  2. Galleries • Museums LED Lighting Fixtures & Systems

    Structuring information with ERCO light: "No Beer without the Alster Lake" in the Museum für Hamburgische Geschichte The venerable Hamburg Museum is celebrating brewing culture in northern Germany with a special exhibition. The organisers have succeeded in showing this cultural history topic in a concise, surprising and entertaining way – with a guidance system of striking graphics and pinpoint accent light from ERCO. On the occasion of the 500th anniversary of the German Purity Law, the "No Beer without the Alster Lake" exhibition focuses on the culture of brewing specifically in northern Germany. The exhibition, displayed across a compact 620 m2, ranges from the beginnings of brewing in ancient Egypt to mediaeval times and today and displays around 400 diverse exhibits. Objects from North Germany are shown, for example an original brewing kettle from the 18th century, botanic depictions of hops and grain, sophisticated still lives from the 17th century, historic drinking vessels, advertising panels and beer mats from the 20th century as well as currently popular craft beer brands. A guidance system with graphics and light To master this level of contextual and formal diversity in this small space was a major challenge for the exhibition concept. Exhibition designers Volker von Baczko and Oliver Thomas, founders of the IIID brand communication design studio in Hamburg, created an attractive guidance system consisting of only two design elements for concisely structuring the content and guiding visitors through the show. Striking yellow lines mark the way across the floor and up the walls to the exhibition texts on the one hand. On the other, these "beer paths" serve to structure eleven roughly chronological themes concerning the brewing process and beer culture, for example "barrel and barrel makers", "pubs and beer halls" and "Hanseatic breweries". The second essential design element is rich-contrast accent lighting achieved with just a single luminaire range, compact Light Board spotlights from ERCO. Orientation is established in the space entirely without general lighting – only various light accents are used precisely, serving to guide visitors and hierarchically classify the exhibits. Source: erco
  3. Hürlemann Lighting system Hello, 2016 Belux, Switzerland Over 30 years ago, Belux launched a global innovation: Metro, designed by Hannes Wettstein, consisted luminaries fastened a double cable system that could be positioned flexibly. Today Belux presents a new generation of the cable system with the innovative Hello, designed by Stephan Hürlemann. Thanks to technical innovations, Hello requires only one carrier cable and even has two different LED lighting elements. “I realised that a cable lighting system can only be reduced to a single tension cable in a structurally clean manner by separating the static elements from the power line. On the phone one day, looking at the coiled cable of my telephone, I found the formal solution for that” says architect and designer Stephan Hürlemann. Hannes Wettstein’s former business partner thus provided the idea and the solution: the current for Hello is fed from luminaire to luminaire with the help of a coiled cable wound around the carrier cable; this way, the second carrier cable can be dispensed with. With this principle, luminaries can also be subsequently added or removed and the system still remains extremely flexible after installation. Design: Stephan Hürlemann, Photos: Belux
  4. Unique visual stimulation may be new treatment for Alzheimer’s “…f humans behave similarly to mice in response to this treatment, I would say the potential is just enormous, because it’s so noninvasive, and it’s so accessible,” says Li-Huei Tsai, the Picower Professor of Neuroscience, when describing a new treatment for Alzheimer’s disease. Using LED lights flickering at a specific frequency, MIT researchers have shown that they can substantially reduce the beta amyloid plaques seen in Alzheimer’s disease, in the visual cortex of mice. This treatment appears to work by inducing brain waves known as gamma oscillations, which the researchers discovered help the brain suppress beta amyloid production and invigorate cells responsible for destroying the plaques. Further research will be needed to determine if a similar approach could help Alzheimer’s patients, says Li-Huei Tsai, the Picower Professor of Neuroscience, director of MIT’s Picower Institute for Learning and Memory, and senior author of the study, which appears in the Dec. 7 online edition of Nature. “It’s a big ‘if,’ because so many things have been shown to work in mice, only to fail in humans,” Tsai says. “But if humans behave similarly to mice in response to this treatment, I would say the potential is just enormous, because it’s so noninvasive, and it’s so accessible.” Tsai and Ed Boyden, an associate professor of biological engineering and brain and cognitive sciences at the MIT Media Lab and the McGovern Institute for Brain Research, who is also an author of the Nature paper, have started a company called Cognito Therapeutics to pursue tests in humans. The paper’s lead authors are graduate student Hannah Iaccarino and Media Lab research affiliate Annabelle Singer. “This important announcement may herald a breakthrough in the understanding and treatment of Alzheimer's disease, a terrible affliction affecting millions of people and their families around the world,” says Michael Sipser, dean of MIT’s School of Science. “Our MIT scientists have opened the door to an entirely new direction of research on this brain disorder and the mechanisms that may cause or prevent it. I find it extremely exciting.” Researchers in Li-Huei Tsai's laboratory at the Picower Institute for Learning and Memory have shown that disrupted gamma waves in the brains of mice with Alzheimer’s disease can be corrected by a unique non-invasive technique using flickering light. Brain wave stimulation Alzheimer’s disease, which affects more than 5 million people in the United States, is characterized by beta amyloid plaques that are suspected to be harmful to brain cells and to interfere with normal brain function. Previous studies have hinted that Alzheimer’s patients also have impaired gamma oscillations. These brain waves, which range from 25 to 80 hertz (cycles per second), are believed to contribute to normal brain functions such as attention, perception, and memory. In a study of mice that were genetically programmed to develop Alzheimer’s but did not yet show any plaque accumulation or behavioral symptoms, Tsai and her colleagues found impaired gamma oscillations during patterns of activity that are essential for learning and memory while running a maze. Next, the researchers stimulated gamma oscillations at 40 hertz in a brain region called the hippocampus, which is critical in memory formation and retrieval. These initial studies relied on a technique known as optogenetics, co-pioneered by Boyden, which allows scientists to control the activity of genetically modified neurons by shining light on them. Using this approach, the researchers stimulated certain brain cells known as interneurons, which then synchronize the gamma activity of excitatory neurons. After an hour of stimulation at 40 hertz, the researchers found a 40 to 50 percent reduction in the levels of beta amyloid proteins in the hippocampus. Stimulation at other frequencies, ranging from 20 to 80 hertz, did not produce this decline. Tsai and colleagues then began to wonder if less-invasive techniques might achieve the same effect. Tsai and Emery Brown, the Edward Hood Taplin Professor of Medical Engineering and Computational Neuroscience, a member of the Picower Institute, and an author of the paper, came up with the idea of using an external stimulus — in this case, light — to drive gamma oscillations in the brain. The researchers built a simple device consisting of a strip of LEDs that can be programmed to flicker at different frequencies. Using this device, the researchers found that an hour of exposure to light flickering at 40 hertz enhanced gamma oscillations and reduced beta amyloid levels by half in the visual cortex of mice in the very early stages of Alzheimer’s. However, the proteins returned to their original levels within 24 hours. The researchers then investigated whether a longer course of treatment could reduce amyloid plaques in mice with more advanced accumulation of amyloid plaques. After treating the mice for an hour a day for seven days, both plaques and free-floating amyloid were markedly reduced. The researchers are now trying to determine how long these effects last. Furthermore, the researchers found that gamma rhythms also reduced another hallmark of Alzheimer’s disease: the abnormally modified Tau protein, which can form tangles in the brain. “What this study does, in a very carefully designed and well-executed way, is show that gamma oscillations, which we have known for a long time are linked to cognitive function, play a critical role in the capacity of the brain to clean up deposits,” says Alvaro Pascual-Leone, a professor of neurology at Harvard Medical School who was not involved in the research. “That’s remarkable and surprising, and it opens up the exciting prospect of possible translation to application in humans.” Tsai’s lab is now studying whether light can drive gamma oscillations in brain regions beyond the visual cortex, and preliminary data suggest that this is possible. They are also investigating whether the reduction in amyloid plaques has any effects on the behavioral symptoms of their Alzheimer’s mouse models, and whether this technique could affect other neurological disorders that involve impaired gamma oscillations. Two modes of action The researchers also performed studies to try to figure out how gamma oscillations exert their effects. They found that after gamma stimulation, the process for beta amyloid generation is less active. Gamma oscillations also improved the brain’s ability to clear out beta amyloid proteins, which is normally the job of immune cells known as microglia. “They take up toxic materials and cell debris, clean up the environment, and keep neurons healthy,” Tsai says. In Alzheimer’s patients, microglia cells become very inflammatory and secrete toxic chemicals that make other brain cells more sick. However, when gamma oscillations were boosted in mice, their microglia underwent morphological changes and became more active in clearing away the beta amyloid proteins. “The bottom line is, enhancing gamma oscillations in the brain can do at least two things to reduced amyloid load. One is to reduce beta amyloid production from neurons. And second is to enhance the clearance of amyloids by microglia,” Tsai says. The researchers also sequenced messenger RNA from the brains of the treated mice and found that hundreds of genes were over- or underexpressed, and they are now investigating the possible impact of those variations on Alzheimer’s disease. The research was funded by the JPB Foundation, the Cameron Hayden Lord Foundation, a Barbara J. Weedon Fellowship, the New York Stem Cell Foundation Robertson Award, the National Institutes of Health, the Belfer Neurodegeneration Consortium, and the Halis Family Foundation. Learn more: http://news.mit.edu
  5. 15 Nov 2016-16 Mar 2017 Winter Light Festival (Japan) is one of Japan’s finest Winter Illuminations. Kuwana City is home to Nabana No Sato, a botanical theme park featuring meticulously landscaped gardens and impressive giant greenhouses. In the spring, the park is colorfully decorated in an array of flowers, blossoms and cherry trees, including row upon row of tulips, pansies, viola, stock and daisies. Come winter, however, and visitors to the park can enjoy one of Japan’s most impressive illuminations in the incredible Winter Light Festival. The fragrance of the flowers mingles with the cold winter air as bundled-up visitors arrive in their thousands to enjoy the famous Tunnel of Lights, and the accompanying elegant light shows and designs that blanket the entirety of the theme park and its waters. Created with over 7 million LED lights charged using solar panels to reduce the impact on the environment, Japan’s biggest winter illumination includes themed light shows every year – previous shows included ‘Mt Fuji at dawn’ and an aurora.
  6. At Designers’ Saturday 2016 Belux turned the focus of their product presentation onto the new cable system light Hello. Their presentation was accompanied by an installation conceived by Stephan Hürlemann. ‘Hello Hello’ celebrates the spiral cables that supply the lights with electricity and lend them their unmistakeable character. Five 4-metre tall double helix ribbons hang in a darkened room. They consist of horizontal bars hanging from a vertical band. At the ends of each bar are one white and one black sphere. Operated by electric motors, the bands turn fast, and then slower. Yet in the low light only the white spheres are visible which continually describe new spirals as they perform their poetic dance. Sometimes they are tight spirals, sometimes they almost make a straight line and sometimes they seem distilled into individual points. Visitors stroll between the dancing spheres, listening to a song of overlapping pure tones composed specifically for the installation.
  7. Victoria Place Lighting by Hoare Lea Lighting, London – UK, 2015 Working with Haskoll Architects, Hoare Lea Lighting developed the lighting solution for Victoria Place Shopping Centre, the newly refurbished retail and food and beverage destination in Victoria Train Station, London. The centre now hosts a number of popular retailers including, Holland & Barrett, David Clulow and Next and a selection of restaurants, casual eateries, coffee shops and convenience food stores. The brief presented to Haskoll was to refurbish the shopping centre and food court with the aim of re-launching Victoria Place as a retail and food and beverage location that would attract a greater proportion of the flow of visitors to the station (around 120m each year) and from surrounding areas. Hoare Lea Lighting worked with Haskoll to create a bright environment with a vibrant lighting design for the 9000m2, two-storey space. Ambient lighting is provided by linear recessed and surface mounted luminaires and LED downlights, which create a comfortable visual environment, assisting wayfinding and navigation. An impression of natural light is generated through the large Barrisol ceiling, backlit by an array of Osram LED modules. This creates the illusion of daylight, which encourages visitors to linger, especially in the restaurant areas on the second floor balcony. Feature elements include Optelma’s ‘Conico’ cone-shaped luminaire. This bespoke pendant adds drama, while providing general illumination to the floor of the mall. It incorporates a subtle colour-change element, which discreetly adds interest to the scene. Pardip Kaur, Architect, Haskoll said ‘Haskoll’s concept for the lighting scheme was designed to create a dramatic and uplifting interior that would transform the previously dark and uninviting space. The various lighting solutions work together to create a vibrant environment for both retailers and end-users. The lighting design has successfully reinvigorated the mall and foodcourt areas whilst adding value to the development and refocusing it as a retail destination.’ Source: retaildesignblog, hoarelealighting
  8. intu Victoria Centre, Nottingham » Retail Lighting Design The £40 million re-model and refresh of intu Victoria Centre, Nottingham has transformed the Centre’s tired appearance, creating a vibrant and bold retail interior. Optelma worked with lighting designers Hoare Lea Lighting to design and develop large, bespoke feature pendants that would work with the scale of the central mall. Suspended in the skylight bays, these elegant two-metre-high moulded ‘Conico’ pendants are key elements, which visually separate the retail spaces from the food and beverage courts, while softening the overall impression. The custom-built pendants feature RGBW LEDs which enable a dynamic, yet subtle, uniform colour-change to take place throughout the day. This mirrors the colour-change within the walkways, thereby ensuring a co-ordinated visual appearance. Each Conico pendant has a 3000lm Xicato downlight built into the base, providing general illumination beneath as well as a platform for the emergency lighting. Martin Breeden Development Director of intu commented: ‘The refurbishment of intu Victoria Centre has enhanced the centre’s look and feel throughout, and the lighting design has really complemented this, helping us to achieve a modern and welcoming environment.' Refresh of intu Victoria Centre in Nottingham included a full upgrade, with the aim of transforming the Centre’s tired appearance and creating a fresh, exciting interior, while introducing a lit personality to the façade. In addition, the project delivered a prominent new southern entrance and a two-level catering cluster centred on the Grade II listed clock tower. Hoare Lea Lighting was appointed by intu to design a new lighting scheme for intu Victoria Centre. To give the interior a fresh dynamism, many of the finishes were taken back to the primary structure before new layers were applied. The remodelling has allowed the daylight function to be enhanced and for the integration of energy-efficient artificial lighting. This has enabled the creation of a softly lit environment, in which strong visual architecture is supported by lighting. Linear forms characterise the architectural enhancements and this language is echoed in the lighting design. Indirect linear lighting to the soffit provides ambient light (from ACDC’s Orelle) in a fresh 4000K white light. This contrasts with the warmer, more relaxing treatment of 3000K within the food and beverage courts. Here, linear ‘tramlines’ of light, from KKDC’s Lini Glow XL, run across the ceiling, their architectural forms spilling into the main malls, adding an exuberant feel and giving a playful visual lead from one space to the next. Hidden sources and integrated lighting combine with white light and RGB colour-change for a clean, dynamic feel. On the walkways, soft washes from hidden lines-of-light are punctuated by pools of light created by spotlights and downlights from Lumenpulse/ AlphaLED and iGuzzini. Peripheral coves running parallel with the walkways are washed with a hidden RGBW linear product (Traxon’s 1PXL Cove Light), which allows for a subtle, slow, uniform colour-change throughout the day. This colour change is mirrored by RGBW feature pendants in the central mall, thereby ensuring a co-ordinated visual appearance. Suspended in the skylight bays, the ‘Conico’ pendants, custom-built by Optelma, are key visual features which work to visually separate the main retail mall spaces from the food and beverage courts, while softening the overall impression of the malls. Commenting on the design, Chris Fox, Senior Lighting Designer, Hoare Lea said: ‘The approach we took was that of ‘lighting through layers’ – combining direct and indirect sources to build a visual scene with various options. Control allows dimming of groups of luminaires to create scenes and for the switching between pre-programed scenes throughout the day. ‘ The exterior of the Centre has been transformed, with the dated 1970s brutalist concrete facade now clad in a clean, contemporary finish. As night falls, the back-lit cladding comes alive with light and colour. White light follows the building’s form, washing each panel in a neutral 4000K, supplied by Osram’s LINEARLight Power Flex. The cladding surrounding the main entrance has a linear wash. DMX feeds give control over each panel and, using a bespoke RGB lensed product from NJO Technology, turn the entrance into an eye-catching media façade. The Clock Tower, an icon on the Nottingham cityscape, has been given a traditional uplight treatment, which complements the architecture, while contrasting with the new backlit entrance cladding and glazed entrance. Ground-recessed uplights, from Bega, illuminate the red brickwork in 3000K, while spotlights (ACDC’s Plaza) pick out the higher levels and the clock face. Martin Breeden Development Director of intu commented: ‘The £40m refurbishment of intu Victoria Centre has enhanced the centre’s look and feel throughout, and the lighting design has really complemented this, helping us to achieve a modern and welcoming environment.’ Source: optelma, retaildesignblog, hoarelealighting
  9. Jason Bruges Studio were commissioned by GLComm to design and build a multi-sensory experience for LG Electronics that was a living, breathing representation of the new LG SIGNATURE range. This took place from the 1st September at IFA 2016 in Berlin. Drawing on the experience of blending architecture with interaction design, we carefully crafted a multisensory and dynamic experience that reinterpreted each of the product’s essence into lighting, movement and sound to convey nature in art. The luminous, mixed media, suspended canopy called Pixel Constellation, was created by a series of expressive physical pixels. The different typologies were inspired by the four LG Signature product types; refrigerator, washing machine, air purifier and OLED television and the variety of pixels created a light and sound symphony inspired by a series of natural phenomena. Source: jasonbruges
  10. Dimensions: x6 3m tall by 60cm wide and 20cm deep granite structures ‘Back to Front’, consists of an array of monolithic granite structures that sense changing levels of light within the park in real-time. People walk through the park, trees shift and the sun moves across the site, casting dynamic shadows onto the monoliths. These shadows are sensed by the artwork and transferred through the depth of the granite structure to reveal animated silhouettes on the opposite side. Images are revealed by controlling an array of LED lights, which are diffused by glass lenses embedded within the stone. The aim is to create an enjoyable and dynamic experience for pedestrians, which reflects the changing weather fronts that envelop the city. Unique analogue electronic printed circuit boards (PCBs) have been developed for use inside the artwork. Each individual LED/sensor node across the face of the granite monolith works autonomously, both sensing and emitting unique levels of light simultaneously. Imagery emerges from the combined behaviour of each individual LED node. The installation is able to detect static shadows from buildings, light and shade resulting from different times of day and seasonal changes, as well as dynamic movement from surrounding people and trees. The studio took inspiration from the characteristic lake effect ‘weather fronts’ experienced in Toronto; weather boundaries that separate two masses of air of different densities, that dramatically affect the city’s climate all year round. ABOUT JASON BRUGES STUDIO Formed in April 2002, Jason Bruges Studio designs and builds interactive and engaging installations across the sectors of architecture, art and brands. Based in London, and recently expanded to include a team in NY, the Studio is a multi-disciplinary and experienced collective of creative types: architects, lighting designers, engineers, programmers, industrial designers and a high calibre management team, who all collaborate to develop highly innovative and pioneering spaces for clients. Each unique space combines high levels of environmental awareness and technical skill and connects people with their surroundings. Among the Studio’s international portfolio are projects such as an interactive lounge at San Diego Airport, interactive artwork in a shopping mall in Shenyang, China and four Olympic Games installations in London. Exciting new public art commissioned by Tridel for the 300 Front Street West community in the heart of downtown Toronto. Entitled "Back to Front" and designed by Jason Bruges Studio, these black monoliths are actually reactive light installations that reflect movement and changes in the surrounding environment. Source: jasonbruges
  11. Centrum Černý Most, Prague, Czech Republic Centrum Černý Most is a major new retail project in Prague, delivering the developer’s vision of an iconic and luxurious retail destination. The design concept emphasized the use of light, making it a key driver in creating a luxury and indulgent experience for shoppers. Key views and entry points were defined using lighting and structures. These included illumination of the floating canopies, glowing goal posts which frame the vehicle entrance ramps, and an interactive and dynamic LED colour-changing cinema corner, providing a defining statement to the entire site. The existing mall received a comprehensive overhaul and was given an entirely fresh design approach. Large circular features maximise the qualities of height, luxury and airiness within the space. Low glare lighting was designed to supplement this and maintain visual comfort to those navigating through the space. Within the new mall extension, flexible, dynamic twin runs of cold cathode are hidden delicately within carefully designed coves. These change during the day from a cool colour temperature, mimicking daylight, whilst slowly transitioning into a warm and luxurious environment towards dusk. Source: ndylight