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2017 will mark the 50th anniversary of The Summer of Love. To celebrate, Illuminate founder and CEO Ben Davis wants to transform Market Street into a rainbow of multicolored lights from Embarcadero to Van Ness. From the same non-profit that brought us the Bay Lights, the new LED project, Lightrail, will consist of a two-mile long stretch of luminous cables that will run 18 feet above the street, reflecting the real-time movement of BART and Muni trains in the subway tunnels below ground. Strips of LEDs would extend from existing utility poles up the length of Market Street from the Embarcadero to the Castro, showing swiftly moving flashes of color each time a BART or Muni train exited a station underneath the street, with different colors indicating the different lines. The installation has already been approved to last for four years, with a proposed budget of $12 million. Illuminate hopes to raise at least $10 million in private philanthropy, much the same way they raised funds, twice, to install and then re-install the Bay Lights. "Once we've collected all the money, it would take six months to built the Lightrail" added Davis. Georges Zisiadis and Stefano Corazza are the local artists behind the installation. Davis met Zisiadis after a celebration for the Bay Lights and was amazed by the idea of LightRail. "This is as important as Bay Lights or maybe more important," said Davis at an event last week. "We want this to be a provocation to people to continue down Market Street." With Lightrail, Illuminate also plans to retrofit the historic Path of Gold streetlights, from the Ferry Building to the rainbow flag in the Castro, with new energy-efficient LED bulbs that will cut energy use by 80%. // To know more about Lightrail and ask for a private demo visit illuminate.org or lightrail.org

OMOTESANDO HILLS CHRISTMAS 2017 Omotesando Hills, a shopping complex in central Tokyo, has entered a new stage in its 11th year, with an aspiration to create and transmit "culture". To materialize this vision, Omotesando Hills has collaborated with Emmanuelle to bring fusion of Illumination and "Art" into the mall for the Christmas season. Emmanuelle’s first illumination has become a fantastical space filled with gentle and warm lights created by her 100 colors. The illumination "Christmas Forest in 100 colors" was inspired from the scenery of layers of trees lining up along the main boulevard in Omotesando, in which this scenery was recaptured into the void of the large stairway of Omotesando Hills. 1500 mini trees in 100 different colors filled the whole void in 13.4m high, and the "Forest of Colors" spread overwhelmingly. Each mini tree wrap the light bulb in colored papers, like a lantern, to make 100 colors themselves to emit a soft and gentle light. Inside this colorful forest, the main tree is located at the center of the large stairway with a height of 7m, which is formed by a collection of mini trees that light up in white during the open hours. From each level, different views of the illumination are captured, to encourage visitors to walk up and down the slope naturally to make the most of the main characteristic of this building, the slope. Santa Claus and reindeers that appears inside the main tree are hidden in the forest, add playfulness to the illumination for the visitors to search around. At the special show "Emotional Reflection" held every 30 minutes, the main tree changes its colors from white, yellow, pink, green, blue and to rainbow, with other mini trees lighting up rhythmically with the music specially composed for this occasion. Colors, music, and light resonate and respond to each others, inviting visitors into the warm and magical Christmas. Source: lednews.lighting

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Liz West’s Sevenfold, UK Lighting design: Liz West Product: XOOTUBE™ HYDRA HD15 Customer: The Met Location: Bury, UK Photos: Jim Stephenson Fabrication: M3 Industries When The Met opens its doors in December 2016, following a £4.6 million refurbishment, at the centre of the historical building will be a newly commissioned art installation by internationally renowned artist, Liz West. The installation, Sevenfold, will mark the completion of this project to transform one of the North’s leading cultural live music, theatre and arts venues located in the heart of Bury. The site-responsive piece will inject vibrant colours and a sense of illusion into the magnificent entrance and staircase of the Victorian neo-classical building. Light is very important to Liz’s work, and this is a space that is flooded with natural light, which Sevenfold will draw upon to highlight the architecture and magnificence of The Met’s 1840s architecture. Sevenfold takes its reference from Newton’s rainbow sequence of red, orange, yellow, green, blue, indigo and violet. Seven (six prisms in the main installation plus one mini above the reception desk) individual and vast prisms have been created that use mirrors to further radiate colour and reflect elements of the beautifully restored architecture. As visitors ascend the staircase they find themselves at eye level with the artwork, giving the chance to marvel Sevenfold at its luminous best. David Agnew, artistic director of The Met, says, “We wanted to celebrate the light and sense of rejuvenation that the restoration of this stunning building has opened up and embraced. The vision of this project is to use the past to illuminate the future, which Liz’s piece perfectly embodies. As people enter the building they’ll be able to enjoy the visual spectacle of Sevenfold as it radiates against the vastness and intricacy of the Victorian plasterwork.” Liz West says, “I am delighted to be given this opportunity to make my first permanent installation, it is an honour to be asked to make a new work in such an magnificent and multi-purpose setting. The light-based, theatrical and immersive nature of my work ties in perfectly with The Met and the buildings use. I hope that visitors enjoy my work for many years to come and are able to see new elements within the installation every time they look at the piece.” Liz lives and works in Manchester, having studied at Glasgow School of Art. Her commissions and residencies have included: Bristol Biennial; Natural History Museum, London; Castlefield Gallery New Art Spaces, Manchester; Royal British Society of Sculptors, London; National Media Museum, Bradford. In 2016 Liz was shortlisted for the Aesthetica Art Prize and the Lighting Design Awards. For additional information, please visit www.led-linear.com

SORAA BRINGS BEAUTIFUL AND EFFICIENT LIGHTING TO THE WORLD'S OLDEST PUBLIC MUSEUM Soraa, the world leader in GaN on GaN™ LED technology, is honored to now illuminate the show-cases at the Ashmolean Museum in Oxford, England with its LED Optical Light Engines. The Ashmolean Museum has been a national treasure and U.K. institution for centuries. As the first public museum in the world, the Ashmolean Museum was opened in 1683, and displays art and artefacts from most of the world civilizations. The sight of the current building dates from 1845 and underwent a large renovation to introduce 39 new galleries in 2009. Soraa’s GaN on GaN™ LED with Violet-Emission 3-Phosphor (VP₃) LED technology renders the widest range of colours in the objects that we see, without ultraviolet (UV) or infrared (IR) radiation that can fade or harm the artifacts. Utilising every colour in the rainbow, especially deep red emission, Soraa’s lamps render warm tones beautifully and accurately, and achieve a colour rendering index (CRI) of 95 and deep red (R9) rendering of 95. And unlike blue-based white LEDs without any violet emission, the company’s lamps have violet emissions to properly excite fluorescing brightening agents in natural objects. “As Shuji Nakamura, co-founder of Soraa, is the pioneer of the blue LED, it is fitting that there is now a collaboration between Soraa and Absolute Action, who were pioneers of fibre optic lighting. Both, in their way, distinctive specialists on a mission, renowned for the very best in quality and innovation, and well-respected on the international stage,” said Dawson-Tarr, Absolute Action. “It also chimes absolutely with our ethos of offering genuine reliability and longevity in all our products and services”. For additional information, please visit www.soraa.com

SORAA’S LED LIGHTING BRINGS ART TO LIFE IN HONG KONG HOTEL Soraa, the world leader in GaN on GaN™ LED technology, announced that its LED lamps have been installed at the Hotel Stage in the heart of Kowloon, Hong Kong. More than just a hotel, the Hotel Stage serves as a quiet retreat amidst the energetic Yau Ma Tei neighborhood and a stage for local artists to showcase their work. Driven by this passion to showcase local art, the Hotel Stage required energy efficient lighting that could create a peaceful and tranquil atmosphere in the hotel’s exceptional communal spaces, as well as accurately render colors of the creative artwork. The Hotel Stage worked with Koichi Tanaka, a lighting designer at LIGHTLINKS, who chose approximately two thousand of Soraa VIVID lamps to illuminate the distinct conversation areas and set off the art pieces. To complement the hotel’s minimalist design, artwork becomes the focus of guests’ attention with Soraa’s tightly controlled beam distribution. Soraa’s Point Source Optic technology, enabled by the company’s GaN on GaN™ LED, crisply illuminates any area with a single sharp shadow, providing unparalleled contrast and depth. “The undeniable benefit for using Soraa LED lamps is that we can render all materials with true color. This was of the upmost importance to us for both the hotel application and to accurately illuminate the artwork,” said Koichi Tanaka, CEO, LIGHTLINKS International Limited. Utilizing every color in the rainbow, especially deep red emission, Soraa’s lamps render warm tones beautifully and accurately, and achieve a color-rendering index (CRI) of 95 and deep red (R9) rendering of 95. Plus, unlike blue-based white LEDs without any violet/ultra-violet emission, the company’s lamps have violet emission to properly excite fluorescing brightening agents in paper, textiles and paints. For more information on Soraa’s LED lamps, please visit: www.soraa.com

Light maze for Luneng Sanya Bay Light and Art Festival yǔzhòu is an immersive light installation we were commissioned for the newly created Luneng Sanya Bay Light and Art Festival in Hainan, China. The installation consists of a maze based on a triangular geometry and built of 2,5m high panels of acrylic glass. A dichroic film glued to one side of the acrylic glass converts the panels in semi-transparent and reflects or shifts the light rays along the entire colour range of a rainbow while the spectator moves in the installation. On the other side of each acrylic glass sheet, a specifically created pattern of grooves is mechanically carved in. The grooves are illuminated by powerful LED rails with subtly shifting colours located in the inferior and superior framework. The panels on the outer perimeter are provided with a mirror film converting the interior in an infinity room – a unique cosmos of overlapping light patterns and constantly Source: brutdeluxe

New LED lights on Niagara Falls “We're lighting a world icon.” “We believe this new lighting will attract repeat visitors and attract new visitors to come see the falls in a much more elaborate way.” New lighting, which will illuminate the American falls, has already been installed in the lower gorge and work is almost completed on installing the new system to the illumination tower beside Queen Victoria Place which will focus on the Horseshoe Falls. Also, light panels are being added to the top of Table Rock which will shed light on the lip of the Horseshoe Falls. “We've been trying to shine light through the mist for many, many years,” Adames said. “Now, with the lights on Table Rock, we can provide an even light treatment of the Horseshoe Falls.” Recent high profile events such as the Nik Wallenda high wire walk and Red Bull Crashed Ice – where organizer used their own equipment to illuminate the Falls - demonstrated how enhanced lighting could better showcase the falls at night. “We could have continued to use the xenon lights,” Adames said. “However, LED technology has come a long way and it's only recently we were able to identify companies that could bring forward a lighting solution.” Following a Request for Qualifications and a Request for Proposal process, a consortium of firms comprised of ECCO Electric Ltd., Salex Inc., Mulvey & Banani Lighting Inc., Sceneworks and Stanley Electric was selected in February. Construction began in September. Financial support for the multi-million dollar project came from both government and local tourism stakeholder groups in both Canada and the United States. “We are very fortunate to have community stakeholders on both sides of the border who have supported our vision since the project was first proposed,” said Mark Thomas, chairman of the Niagara Falls Illumination Board and western district director of the New York State Office of Parks, Recreation and Historical Preservation. “The improvement to the nightly illumination of the Falls will encourage visitation to Niagara and we appreciate the stakeholders recognizing the importance of this project for the destination.” Niagara Falls Coun. Wayne Thomson, chairman of Niagara Falls Tourism, said he's been pushing for new lighting for the past seven years. “I'd be having dinner at the falls with my wife and my wife and other people would look over and asking when the lights come on... they had been on for two hours. All you saw was a little bit of grey and the mist in the centre. It was very unimpressive.” His began campaigning for enhanced lighting in early 2009 after he drove across the Rainbow Bridge and noticed the Horseshoe Falls were bathed in bright light. “It was phenomenal,” he recalled. “The falls were lit up like you wouldn't believe.” Thomson later learned the lights were particularly bright that night because local magician Greg Frewin was on site filming a television special. Thomson said the new lighting will be a “huge game changer” for the city. “People come here to see the falls and the parks system and all the other attractions in the region and they all want to go down and see the illumination of the falls in the evening,” he said. “(The illumination) has been totally unimpressive for many years. The new lighting, in my opinion will bring worldwide publicity and will draw people here from around the world.” An official lighting ceremony is scheduled for Dec. 1. The new lights were originally to be unveiled during the Winter Festival of Lights launch Nov. 19. More information: niagarafallsreview.ca