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Building facade projection – the new FLC230 LED profile projectors
By Smart Lighting Solutions
Théâtre de Sénart, France
The new Théâtre de Sénart is both a national stage and a major cultural centre for the region of Grand Paris Sud in Évry on the outskirts of the French capital.
Designed by chief architect of the project Atelier d’architecture Chaix & Morel et associés, an astonishing silhouette of 10,600sqm (6,400sqm footprint) that rises 29 metres in height emerges from the retail park Carré Sénart.
In plan, the building respects the square geometry of the site yet breaks out in volume through its differing heights and its diagonals. The theatre envelope adheres to the internal volumes, like a sculpted block, to give the building its identity and unity whilst revealing its constituent parts. The main forms that emerge are recognised by the space they accommodate: the large auditorium with its fly tower (29m high) alongside the simple shape of the open stage, small auditorium.
By Jamie A.
LED Street Lights May Be Damaging To Your Health
LEDs are replacing yellow street lamps in an attempt to save energy. But medical experts say LEDs could be damaging to our health
Health authorities had issued warnings about LED street lighting.
Yellow street lights are being replaced by white LED (Light Emitting Diode) lights to save energy. But according to the American Medical Association (AMA), LEDs could be damaging to our health, affecting sleep and vision.
In an official statement, which was adopted unanimously at the AMA's annual meeting in Chicago earlier this month, the AMA addressed issues about the new LED street lighting in the country.
By LED Linear
Architect: Wolcott Architecture I Interiors
Product: VarioLED™ Flex VENUS White TV IP67
LED Linear Partner: LED Linear USA / Light Build Design
Customer: Vornado Realty Trust
Location: Los Angeles, USA
Photos: Lane Barden
The impressive building is situated in downtown Santa Monica. Upon acquiring the property in 2012, a renovation program was launched to modernize the lobby and entrances, create a public plaza, illuminate the façade and add upgraded building systems. Renovations were completed by the end of 2013.
Since then, the building is mainly due to the horizontal integrated light lines in the façade the a nightly attraction on the Broadway. By the opal encapsulation of the integrated VENUS light lines, the light is perfectly homogeneous and a light pollution is prevented.
For additional information, please visit www.led-linear.com
By Robert Lights ✌
World's first lighted zebra crossing in the Netherlands
Because pedestrians on zebra crossings are badly visible in the dark or during bad weather, many accidents happen on a daily basis and all over the world. A lot of them have deadly consequences. To reduce the number of accidents, the Dutch company Lighted Zebra Crossing has installed the world’s first lighted zebra crossing.
The idea came a few years ago from a 10-year-old girl called Aurora from Groningen, the Netherlands, because she did not feel safe to cross the street at zebra crossings. Her theory was that drivers often do not stop before a zebra crossing because they do not see it, so making the crossings more visible would change that.
In various Dutch and Belgian towns (Heerenveen, Groningen, Amsterdam, Rotterdam, Antwerp and Brussels), this theory was put to the test by placing mats on the streets on which a zebra crossing was displayed. The white stripes of these mats lit up when someone approached the crossing, pedestrian, cyclist or driver (see video).
As the test showed promising results, Lighted Zebra Crossing developed a lighted zebra crossing that can be installed anywhere. Instead of painting the white stripes on the street with light-reflecting paint, they created lightboxes with LED lights that function as the stripes and can be installed into the road. The dimensions are 200 x 50 cm (78.7 x 19.7 inch). Usually, two plates are installed next to each other to form one long stripe.
The company developed two versions, one for a brick road and one for an asphalt road. In the former, the lightboxes have a steel frame in which a layer of concrete is poured. A luminous plate is put on top of this. The depth can be custom made, and is usually between 8 and 10 cm (3.1 to 3.9 inch). The asphalt version does not contain a frame with concrete and is about 4 cm thick (1.6 inch). It can be installed directly into the asphalt.
The lights only use a small amount of electricity and can be connected to the streetlights, so that the crossing lights up when the lampposts do. It can also be connected with solar panels.
To test the durability, the lightboxes were installed near a transport company. Daily, about 250 fully loaded trucks drove across it, which is equal to the stress of about 2,500,000 cars. The lightboxes were also tested during various weather conditions, including frost and sun. Salt sprinkling was taken into account as well.
The first lighted zebra crossing was installed in a Dutch village called Eerbeek, which is where the company is from. It was installed within two weeks and will be officially revealed tonight. The aim is to install more of these crossings in other cities in the Netherlands soon.
Video 2, Video 3 and Video 4
More info: lightedzebracrossing
Lighting control - Court of Final Appeal
What was described as one of the significant colonial-era buildings in Hong Kong, the 103-year-old Court of Final Appeal now features a modern and brilliant historical block in Central. The exterior of the neo-classical style architecture was declared as a monument since 1984 and it was also used to house the former Supreme Court and Legislative Council. After the completion of renovation, the landmark block starts to operate in September 2015 and it is home to the final appellate court as well as a crucial part in Hong Kong’s common law development. Traxon develops a dynamic lighting solution that celebrates a century of historical architectural elements of the building. 261 Traxon Wall Washer Shield AC XB in warm white with 30 degree of optics are mounted in the windows and roof top which is a perfect solution to highlight the architecture of the façades. Schneider BMS system is used as a main lighting control that generates DMX signals to control the color temperatures with different time periods on each day. The stunning and glamorous façade turns the prestigious block of Court of Final Appeal into a modern and vibrant architecture that dazzles the passerby and visitors. Lighting control - Court of Final Appeal.
Le vie che conducono al famoso Nobu Restaurant in Qatar illuminate dall’azienda italiana Francesconi Architectural LightBy Agata
LED lighting in Qatar by Francesconi Architectural Light
Francesconi Architectural Light illumina Marina Landscape, le vie che accompagnano i visitatori al rinomato Nobu Restaurant, situato all’interno del lussuoso Four Seasons Hotel di Doha in Qatar: un capolavoro architettonico a tre livelli affacciato scenograficamente sul Golfo Persico raggiungibile da un’arteria di grande viabilità che necessitava di un’illuminazione sicura, performante e di qualità.
Per il prestigioso progetto di illuminazione urbana sono stati scelti gli incassi a terra EGO e MAXIEGO, apparecchi illuminotecnici per esterni con grado di resistenza IP67 e agli urti IK10. Interamente realizzati con il migliore Acciaio Inox 316L, questi prodotti sono garanzia di ottime prestazioni in ambienti ad elevata umidità e salinità tipiche delle zone costiere del Golfo Persico. Diffusore in vetro temprato, viti di chiusura in acciaio inox A4, guarnizione in silicone e controcassa in policarbonato V1 (850°) completano il quadro di una gamma di incassi a sorgenti LED dalle altissime prestazioni.
Francesconi Architectural Light, che ha sede a Roncadelle in provincia di Brescia, da oltre 60 anni opera nell’ambito dell’illuminotecnica: dalla produzione di apparecchi per esterni altamente performanti alla consulenza progettuale di elevata specializzazione, l’azienda sviluppa la propria attività su una superficie di 6500 mq, di cui 2500 mq coperti.
Coniugando elevata resistenza e confort visivo, know-how tecnico e qualità formale e funzionale, il team Francesconi ha donato un effetto particolarmente scenografico alle strade di questa grande città dal forte carattere cosmopolita, segnando i percorsi, esaltando i dettagli e guidando gli ospiti verso il più grande e noto ristorante del Qatar.
On October 13, 2016, Boston mayor, Martin J. Walsh unveiled the new LED-based architectural lighting of Boston City Hall. The lighting debut was during this year’s final Beer Garden on the Bricks event, themed “Light Bright Beer Garden.” The city intends the new LED lighting to highlight and enhance the building’s original design and increase public safety. The exterior lighting installation is one among several ongoing initiatives to highlight City Hall and City Hall Plaza and make them more inviting for residents.
“I am proud that for the first time in its 48 year history, Boston City Hall is going to shine,” said Mayor Walsh. “This state of the art lighting system will help make City Hall the civic heart of our city by livening up the plaza, while making the area safer and connecting us to Faneuil Hall and Quincy Market. Bringing new light to City Hall is symbolic of a more responsive vision here at City Hall, one that is meant to be engaging, inspiring, and serve as a beacon of the city and our values.”
New LED fixtures replaced the original Metal Halide exterior recessed lighting and the existing floodlights that illuminate the building’s lower levels and accentuate the entrances. The new fixtures cover the building in a warm white light, and they can produce a broad range of colors. Such color options can allow the City to light the building to acknowledge a variety of celebratory and public events.
The mayor lit the building blue to recognize the police officers injured in East Boston, and as a further demonstration of its light changing capability, the mayor changed the color to pink in honor of Breast Cancer Awareness Month. The pink lights at city hall added to pink lighting of numerous buildings and landmarks around the city.
The lighting highlights the original three-part design of City Hall. The lower levels house the public spaces of the building. The symbolic spaces including the middle sections hold the offices of the Mayor and the City Council, and the administrative spaces crown the building and house the administrative functions of government.
According to the city, the new exterior lighting improves security lighting. The city says that the system allows for the floodlights and associated conduit added to the building over the years to be entirely removed.
“By illuminating its iconic and bold form, City Hall’s interaction with Boston’s urban fabric may be reinvigorated,” said David Eisen FAIA, Boston Society of Architects/AIA (BSA) Vice President for Communications. “It’s a decisive step toward transforming one of the most internationally renowned buildings that make up our distinct architectural heritage.”
The new fixtures are more energy efficient than the Metal Halide fixtures and the existing Flood Lights that they replace. The LED lighting is expected to save the city about 300,000 kWh of electricity annually compared to the replaced lights. The LED technology has a projected 20-year lifespan compared to the 4-year life of the metal halide lights that the LED system replaces. The City expects additional savings from the cost of maintenance and light replacement.
Arcade lights have also been retrofitted with LED lighting to complement the new City Hall lighting. The same controller will be able to operate and coordinate both the arcade lights and the City Hall lights.
“It is wonderful that the City is taking this opportunity to recreate its own home place – City Hall – as the keystone and central event in an ongoing pursuit of improved illumination for our city,” said Todd Lee, President of LIGHT Boston.
Based on materials from boston.gov
An appreciative whoop went up from the crowd gathered Thursday night as the switch was flipped on the latest light installation by San Antonio artist Bill FitzGibbons.
From a vantage point on the 21st floor of the Frost Bank Tower, members of the arts community and city officials watched as “Kinetic Skyline” illuminated the Bank of America Plaza with a display of blue and green light.
“I’m really over the moon about this project because with this tremendous support from the owners of the building we were able to realize one of the largest light sculptures in the state of Texas,” FitzGibbons said.
Located at 300 Convent Street near the Tobin Center for the Performing Arts, the 28-story Bank of America Plaza is one of the tallest buildings downtown.
“It’s got all these stair step bays that go up along the side of the building, and so I thought that that would be really an interesting approach to go in there and emphasize those bays, which you visually can’t really see from a distance,” FitzGibbons said earlier.
Created with computerized LED lights, the effect of the installation is of a series of eight columns climbing up facades on the north and south sides of the building. FitzGibbons also created programs for holiday displays. Thursday night, he demonstrated the schemes for the Fourth of July and Fiesta.
The Bank of America Plaza is owned by Houston-based Griffin Partners and New York-based Clarion Partners. It is currently undergoing capital improvements.
“The building has had exterior lighting on it, I guess, since it was built,” said Lee Moreland, executive vice president of Griffin Partners. “It’s basically a dull, amber-colored lighting that we knew would need to be replaced, but not until the introduction to Bill did we contemplate that it could be something much more.”
FitzGibbons has created several light-based public artworks around the country. In San Antonio, they include “Centro Chroma Tower” at VIA’s Centro Plaza; “San Antonio Colorline” at the University Health Center-Downtown Brady Green Clinic; “Light Channels,” beneath the underpasses at Commerce and Houston streets; and “Day Star Archway” at the San Antonio International Airport.
He has received videos of bands performing and photos taken at the underpasses transformed by the installations.
“To me, that’s the magic and power of public art,” he said. “You can see that throughout the city where you go in and you do a public art piece like the Sebastian piece down by the Alamo or (Donald) Lipski’s internally lit fish hanging from the underpass on the Museum Reach or the George Schroeder sculptural wall that’s at the county courthouse downtown,” FitzGibbons said. “These projects really enliven our built environment and create a magic that contributes to the quality of life of urban living.”