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JIER WORLD Store - Waterproof SMD5050 led tape light AC 220V SMD 5050 flexible led strip 60 leds/Meter 220 v outdoor garden lighting with EU plugBy Mr.LIGHT
Product: Emitting Color: Warm White, Wattage: 6M with EU Plug
WS2811 5050 SMD RGB Strip Addressable 30/48/60/96/144leds/m Led Pixels External 1 Ic Control 3 Leds Normal/Bright 5m DC12V-BTF-LIGHTING Official StoreBy Mr.LIGHT
Product: Color: White 5m 60 IP30
By Robert Lights ✌
Versatile modular lines of captivating linear light
This ground-breaking modular lighting system is designed for creating unimaginable light architectures to make the environment marginal yet indispensable. The brand new ultra-lightweight linear profiles are versatile enough to meet any design needs guaranteeing extraordinary visual light comfort for every application beyond ordinary imagination.
With an innovative, sleek, clear body design, profile linear lighting spread soft indirect light emissions over walls or ceiling or floor from flat surfaces creating paths of light with perfect uniformity and unlimited lengths.
LED aluminum profiles are available in variety of depth and length according to clients need to blend into every lighting project and can be fitted in either single module formats or joint-free long continuous rows of uninterrupted lines of light.
The Flexible version of LED aluminum extrusion that are re-shapeable ideally suit curved lighting applications making the lighting design overwhelmingly captivating. They also come in varied colors of LED with regulated intensity of lights and dimming capabilities.
Minimalism, modularity and ease of installation characterize the LED profiles that are extremely easy to install, transforming any space with class and refinement. Being a perfect fusion of performance, flexibility and sparkling nominal design, all in a single product the LED Profiles ensure optimal performance, endurance and low energy demand.
The soft glare-free bi-directional light protruding from the light-weight linear profiles achieve amazing aesthetical incredible efficacy, which allow designers the freedom to use this application even in the most demanding and hard to reach areas.
The product can be mounted individually, or in long continuous lines as a suspended pendant luminaire, or directly to the surface of a wall or ceiling, and as recessed mounted using the frames, even on staircases, handrails or furniture such as shelves ends, showcases, wardrobes, jewelry racks etc.
They are perfectly suited for residences, commercial offices, Retail outlets & showrooms, auditoriums, supermarkets, educational institutes, service & hospitality sectors, much more...
More information here: lumibright
The Effect Of Coloured Light On The Human Body
Artists and interior architects have long understood that colours can affect our feelings, emotions and mood. This is why the rooms in a hospital are often green – green calms and reduces stress. Other colours such as red, orange, yellow, blue, etc., have a different effect on the body. Chromotherapy, a.k.a. colour therapy studies these effects.
Chromotherapy or colour therapy is based on the premise that colours and light can be used to correct physical ailments. Depending on the location and nature of the ailment a specific colour may ease it.
One of the first scientists to consider the effect of colours was August Pleasonton. In 1876 he published ‘The Influence of the Blue Ray of Sunlight and of the Blue Color of the Sky’ in which he studied how blue can stimulate the growth of plants and cattle. He also mentioned that this colour can help make the human body better. This book introduced chromotherapy into modern medicine.
Colour therapy should not be confused with light therapy. In light therapy a person is exposed to a bright white light over a certain time. Light therapy is often used to treat skin diseases (more specifically psoriasis), sleep disorders and certain psychic problems.
Colours and their meaning
Studies have shown that people are able to distinguish approximately 10 million colours. These colours can be broken down into three primary colours: yellow, red and blue. Usually in chromotherapy, the secondary colours are added, more specifically orange, purple and green. Each of these colours has a certain meaning:
Red – The libido booster
Red is a warm colour linked to the kidneys, backbone and sense of smell. This colour gives more energy and is ideal for people who are often over-tired. Active people can use red light therapy to combat muscle and joint stiffness. And finally it also boosts sexual desires. Yellow – The depression killer
People with a difficult digestion can treat this with yellow light. This colour is associated with the stomach, liver and intestines. People with a depression could also benefit from yellow colour therapy. Blue – The bringer of peace
Blue is the counterpart of red. It can be used to lower high blood pressure or calm people down. Blue light can also help in the treatment of migraine. Your throat, ears and mouth are linked to this colour. Green – The strength provider
Green is the colour of nature. Green light therapy stimulates the creation of growth hormones and strengthens muscles, bones and other tissues. It can also boost your body’s immune system. Purple – The Nightcap
Purple light can help you fall asleep. It also reduces emotional and mental stress. The nervous system and eyes are linked with this secondary colour. Contrary to red light, purple light decreases sexual desires. Orange – The creativity source
Does your job demand a lot of creativity? Then orange can help. Orange stimulates the creative thought process and helps you come up with new ideas. This colour is linked to breathing. Breastfeeding women could benefit from orange light because it stimulates the production of breast milk. Coloured lighting cannot only create a certain atmosphere, it also affects our body.
By Robert Lights ✌
Firestone Walker Brewing Company is a craft brewery based in Paso Robles, California. The brewery has experienced significant success, gaining recognition with a number of international awards for its beers. And it now operates three facilities – the others located in Buellton and Venice.
In fact the brewery’s growth has required the addition of a new 10,000 sq. ft. brew house at its Paso Robles headquarters in order to meet the steep increase in demand for its products.
Harris Architecture was mandated to design the new space with the goal of increasing production capacity. As well as being a fully functional brewery, the Paso Robles location also offers tours to visitors, and after an 8-month construction period, the new addition was opened to the public in May, 2017.
“The whole space has a turn of the century iron works style,” said Kyle Harris, who led the project for Harris Architecture. “There is a lot of galvanized metal and exposed bolts combined with tiling and concrete floors. It’s retro with a tech edge.”
The team from Harris worked closely with the Firestone Walker founders to ensure that every element of the new space was on point from a design and usability perspective. Everyone involved in the project was very conscious of choosing the right pieces to present the facility as the iconic, signature location in the Firestone Walker family of facilities.
Lighting the space was an important piece of the design. The lighting had to be functional as well as fitting aesthetically with the design intent of the space.
In collaboration with Prudential Lighting Products, the Harris team identified Luminis products as the perfect solution. Luminis’ Torx and Aramis products were chosen. Twelve Torx TR2450 pendants were selected to illuminate the brew deck. The Torx TR2450 products are decorative and functional ceiling pendants with a frosted acrylic refractor and an LED light source. Delivering more than 12,000 lumens per product, the pendants are ideal for areas where efficiency, reliability and aesthetics are important. To carry the aesthetic throughout the facility, two more Torx TR2450 pendants have been included in the visitor center.
Four Aramis AR148 pendants were used for additional illumination, while thirteen wall-mounted Aramis AR148 luminaires are positioned around the perimeter of the room. Most of the Aramis AR148 wall mounted sconces are in pairs – one as an uplight, and one as a downlight in each pair – providing a striking accent. The 6” cylindrical luminaires have an LED light source and deliver 2,050 lumens.
“Functionality and performance were key requirements in the lighting product selection,” said Harris. “The Torx and Aramis products from Luminis not only delivered on those requirements but also perfectly fit the industrial aesthetic in the rest of the building.”
Outside of the building, Harris chose Luminis’ Syrios SY602 products, complete with LED light source and unique integral tilting mechanism for precise directional aiming. Used primarily to illuminate the Firestone Walker signage and accent the curved roof, the products really catch the eye.
Finally, Eclipse Mini EC612 products illuminate the exterior of the main entrance providing the complete lighting experience from outside to inside – a testament to the wide array of interior and exterior products offered by Luminis. The Eclipse Mini EC612 models, durable and designed to withstand extreme weather conditions, are mounted to the wall either side of the front door and on the columns supporting the covered entry.
All of the interior lighting is on a dimming channel, enabling adjustment depending on the time of day. During the night, brew house lighting is turned up to deliver 100 foot candles of light at floor level to assist with nightly cleaning. In the daytime, the lighting is scaled back to deliver 45-55 foot candles at floor level for standard use.
“We did extensive calculations and modelling to make sure the lighting would be at the right level, and that we got the light in the places it was needed,” said Harris. “Inside the brew house the lighting hits the metal and the stainless steel brew tanks, and the results are striking.”
The reaction of the client has also been positive. Firestone Walker Co-Founder David Walker said: “The lighting is industrial, beautiful and functional; not an easy combination to achieve when lighting a modern brew house – it is elegantly done.”
Correctional Facility LED Lighting
Correctional facilities place a high priority on safety, security, and operational efficiency. LED lighting systems, can help meet or exceed performance standards in all three of these areas. Due to the instant-on and dimming capabilities of LED systems, new control methods are now practical and promise to allow even greater performance.
By LED Linear
Architect: Weisser Architektur & Bau AG
Product: VarioLED™ Flex VENUS White SV IP67, VarioLED™ Flex HYDRA HD25, VarioLED™ Flex ZEUS2, VarioLED™ Flex VENUS White TV IP67
LED Linear Partner: LIGHT ON, Ebmatingen
Location: Zürich, Switzerland
Photos: Daniel Kessler, Zürich
This modern family house has two highlights, which proved to be a special lighting challenge: heart of the house is an over all floors leading, 8-meter-high wall of water. To visually underline the effect of the gently flowing water, LIGHT ON used LED strips in a stainless steel profiles from top and bottom, illuminating the wall with linear grazing light. Another ambitious solution was developed for the bar made of onyx stone. To make the colorfully drawn, translucent stone work optimally, the entire bar was backlit with VarioLED ™ Flex HYDRA HD25. The niches in the bathroom and a spiral staircase are illuminated by lighting fixtures of the VENUS family.
For additional information, please visit www.led-linear.com
By Jamie A.
115 Batman Street, Melbourne, Australia
The Base Building solution for 115 Batman Street was designed to meet with the Green Star requirements of the project. The overall building design utilizes an integrated design ideology, taking significant advantage of the available daylight via both the high and extensive glazing.
Window screening is used to provide amelioration of direct sunlight where necessary and the lighting control system that manages the lighting throughout the tenancy is linked to photo electric cells to dim the luminaires in relation to the available daylight. Motion sensors are also provided throughout to manage the lighting after hours by activating the lighting in areas of movement.
The fitout orientated spaces including the main reception, meeting rooms were designed with large luminous grids of pendants while the staff breakout space was designed to be deliberately different with custom pendants that feature panoramic photo montages of the Royal Botanical Gardens.
By Jamie A.
Jemena is an Australian infrastructure company that builds, owns and maintains a combination of major electricity, gas and water assets.
The 15,000sqm project was delivered in 30 weeks and included the fitout of seven floors of internal connecting stairs, balcony landscaping, premium executive occupied floors including a commercial kitchen and dining room.
Other key features of the project include a boardroom that can accommodate 24 people and 17 interpreters, meeting rooms, collaboration spaces, a roof top backup generator, fuel tank and pump room, main server room with sub server rooms on every floor and over 900 workstations.
The project was executed in conjunction with Woods Bagot, NDY, Montlaur, Cinni Little, MBM, Philip Chun and WSP.
Seven floors of internal connecting stairs Balcony landscaping Premium executive occupied floors Commercial kitchen Dining room Boardroom that can accommodate 24 people and 17 interpreters 900 workstations Specific details of the installation included:
1,000m of LED Strip and extrusion 30 new switchboards 120,000m of cat6 cabling 21 x 47RU Communications Racks 4,468 x Cat6 Outlets 99 x 48port patch panels 2,352 System ties Source: fdcbuilding.com.au
Le vie che conducono al famoso Nobu Restaurant in Qatar illuminate dall’azienda italiana Francesconi Architectural LightBy Agata
LED lighting in Qatar by Francesconi Architectural Light
Francesconi Architectural Light illumina Marina Landscape, le vie che accompagnano i visitatori al rinomato Nobu Restaurant, situato all’interno del lussuoso Four Seasons Hotel di Doha in Qatar: un capolavoro architettonico a tre livelli affacciato scenograficamente sul Golfo Persico raggiungibile da un’arteria di grande viabilità che necessitava di un’illuminazione sicura, performante e di qualità.
Per il prestigioso progetto di illuminazione urbana sono stati scelti gli incassi a terra EGO e MAXIEGO, apparecchi illuminotecnici per esterni con grado di resistenza IP67 e agli urti IK10. Interamente realizzati con il migliore Acciaio Inox 316L, questi prodotti sono garanzia di ottime prestazioni in ambienti ad elevata umidità e salinità tipiche delle zone costiere del Golfo Persico. Diffusore in vetro temprato, viti di chiusura in acciaio inox A4, guarnizione in silicone e controcassa in policarbonato V1 (850°) completano il quadro di una gamma di incassi a sorgenti LED dalle altissime prestazioni.
Francesconi Architectural Light, che ha sede a Roncadelle in provincia di Brescia, da oltre 60 anni opera nell’ambito dell’illuminotecnica: dalla produzione di apparecchi per esterni altamente performanti alla consulenza progettuale di elevata specializzazione, l’azienda sviluppa la propria attività su una superficie di 6500 mq, di cui 2500 mq coperti.
Coniugando elevata resistenza e confort visivo, know-how tecnico e qualità formale e funzionale, il team Francesconi ha donato un effetto particolarmente scenografico alle strade di questa grande città dal forte carattere cosmopolita, segnando i percorsi, esaltando i dettagli e guidando gli ospiti verso il più grande e noto ristorante del Qatar.
On October 13, 2016, Boston mayor, Martin J. Walsh unveiled the new LED-based architectural lighting of Boston City Hall. The lighting debut was during this year’s final Beer Garden on the Bricks event, themed “Light Bright Beer Garden.” The city intends the new LED lighting to highlight and enhance the building’s original design and increase public safety. The exterior lighting installation is one among several ongoing initiatives to highlight City Hall and City Hall Plaza and make them more inviting for residents.
“I am proud that for the first time in its 48 year history, Boston City Hall is going to shine,” said Mayor Walsh. “This state of the art lighting system will help make City Hall the civic heart of our city by livening up the plaza, while making the area safer and connecting us to Faneuil Hall and Quincy Market. Bringing new light to City Hall is symbolic of a more responsive vision here at City Hall, one that is meant to be engaging, inspiring, and serve as a beacon of the city and our values.”
New LED fixtures replaced the original Metal Halide exterior recessed lighting and the existing floodlights that illuminate the building’s lower levels and accentuate the entrances. The new fixtures cover the building in a warm white light, and they can produce a broad range of colors. Such color options can allow the City to light the building to acknowledge a variety of celebratory and public events.
The mayor lit the building blue to recognize the police officers injured in East Boston, and as a further demonstration of its light changing capability, the mayor changed the color to pink in honor of Breast Cancer Awareness Month. The pink lights at city hall added to pink lighting of numerous buildings and landmarks around the city.
The lighting highlights the original three-part design of City Hall. The lower levels house the public spaces of the building. The symbolic spaces including the middle sections hold the offices of the Mayor and the City Council, and the administrative spaces crown the building and house the administrative functions of government.
According to the city, the new exterior lighting improves security lighting. The city says that the system allows for the floodlights and associated conduit added to the building over the years to be entirely removed.
“By illuminating its iconic and bold form, City Hall’s interaction with Boston’s urban fabric may be reinvigorated,” said David Eisen FAIA, Boston Society of Architects/AIA (BSA) Vice President for Communications. “It’s a decisive step toward transforming one of the most internationally renowned buildings that make up our distinct architectural heritage.”
The new fixtures are more energy efficient than the Metal Halide fixtures and the existing Flood Lights that they replace. The LED lighting is expected to save the city about 300,000 kWh of electricity annually compared to the replaced lights. The LED technology has a projected 20-year lifespan compared to the 4-year life of the metal halide lights that the LED system replaces. The City expects additional savings from the cost of maintenance and light replacement.
Arcade lights have also been retrofitted with LED lighting to complement the new City Hall lighting. The same controller will be able to operate and coordinate both the arcade lights and the City Hall lights.
“It is wonderful that the City is taking this opportunity to recreate its own home place – City Hall – as the keystone and central event in an ongoing pursuit of improved illumination for our city,” said Todd Lee, President of LIGHT Boston.
Based on materials from boston.gov
An appreciative whoop went up from the crowd gathered Thursday night as the switch was flipped on the latest light installation by San Antonio artist Bill FitzGibbons.
From a vantage point on the 21st floor of the Frost Bank Tower, members of the arts community and city officials watched as “Kinetic Skyline” illuminated the Bank of America Plaza with a display of blue and green light.
“I’m really over the moon about this project because with this tremendous support from the owners of the building we were able to realize one of the largest light sculptures in the state of Texas,” FitzGibbons said.
Located at 300 Convent Street near the Tobin Center for the Performing Arts, the 28-story Bank of America Plaza is one of the tallest buildings downtown.
“It’s got all these stair step bays that go up along the side of the building, and so I thought that that would be really an interesting approach to go in there and emphasize those bays, which you visually can’t really see from a distance,” FitzGibbons said earlier.
Created with computerized LED lights, the effect of the installation is of a series of eight columns climbing up facades on the north and south sides of the building. FitzGibbons also created programs for holiday displays. Thursday night, he demonstrated the schemes for the Fourth of July and Fiesta.
The Bank of America Plaza is owned by Houston-based Griffin Partners and New York-based Clarion Partners. It is currently undergoing capital improvements.
“The building has had exterior lighting on it, I guess, since it was built,” said Lee Moreland, executive vice president of Griffin Partners. “It’s basically a dull, amber-colored lighting that we knew would need to be replaced, but not until the introduction to Bill did we contemplate that it could be something much more.”
FitzGibbons has created several light-based public artworks around the country. In San Antonio, they include “Centro Chroma Tower” at VIA’s Centro Plaza; “San Antonio Colorline” at the University Health Center-Downtown Brady Green Clinic; “Light Channels,” beneath the underpasses at Commerce and Houston streets; and “Day Star Archway” at the San Antonio International Airport.
He has received videos of bands performing and photos taken at the underpasses transformed by the installations.
“To me, that’s the magic and power of public art,” he said. “You can see that throughout the city where you go in and you do a public art piece like the Sebastian piece down by the Alamo or (Donald) Lipski’s internally lit fish hanging from the underpass on the Museum Reach or the George Schroeder sculptural wall that’s at the county courthouse downtown,” FitzGibbons said. “These projects really enliven our built environment and create a magic that contributes to the quality of life of urban living.”
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LIGHTING SOLUTIONS: NEW IDEAS OF FUNCTIONAL AND DECORATIVE LIGHTING