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Forum 💡 LED Lighting Solutions ▪️ Design Ideas

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Found 15 results

  1. This illuminated arch rises up out of the water and surrounds a foot bridge in Austin, Texas East Side Collective, a co-working design studio featuring co-founder Tim Derrington and member Wilson Hanks, along with Drophouse Design have recently worked together to create a temporary installation as part of the Waller Creek Conservancy’s “Creek Show“, in Austin, Texas. “Deep Curiosity” is an illuminated arch that rises up out of the water and surrounds a foot bridge over the Waller Creek to create the illusion of a never ending circle that inspires imaginative thought and an appreciation for both the natural and man-made elements found in and around the same area. The light installation is made from strips of curved steel that have been welded and formed into a curved arch. The arch is made up of sections that were constructed in a warehouse and were later assembled on site in the water and above the bridge. The partially submerged circular form combines reality with the power of illusion to encourage people to think about and appreciate the complexity of the creek and celebrate the possibility of future perfection in the Waller Creek area. Original: contemporist
  2. Услуги в Кью Королевский ботанический сад, Лондон (GB) Три художественные установки, которые, выставлялись в самом сердце садов - Crystal Tree: мульти-многовековая Дуб покрыт кристаллами irdescent освещения. Когда солнечный свет просвечивает дихроичный материал, кристаллы литых цветных тени многочисленной Среди ветвей. - Огромные Тростники: Как освещения камыш, 8е белые трубы двигаются с ветром. Они , кажется, становится живым , когда наступает ночь, как будто легкий сок Были ciculating с помощью ИКТ тела в нескольких анимированных сценариев освещения. - Noctifloors: Поле освещения Vegetals Кажется To-расцвели в парке. Почти 80 световых растений покрывают траву, и медленно pulste Когда наступает ночь. Source: pitaya
  3. High on the list of technologies that delivered such a memorable and moving London 2012 opening ceremony were the ‘pixels’ that turned the Olympic Stadium seating into a giant video screen.We were directly brought in by TAIT Technologies to work on this with their direction. We used 37 Ai Media Servers and 4 Sapphire-Midi Controllers to control the video on the 70,500 pixel tablets situated within the audience seating, as well as to control all LED & projection screens throughout the stadium. The ‘landscape screen’ is recognised by the Guinness World Book of Records as the ‘World’s Largest LED Screen‘. Immersive had a long-standing ambition of representing UK design in the 2012 Olympic games. We had always liked the idea of creating an ‘immersive’ video screen and soon were approached by the only company in the world who could manufacture such a dream – Tait Technologies. They had technically researched such an idea and already developed the installation into the form of tablet batons that each had 9 LED pixels in a 3×3 array. Each seat was equipped a tablet. All 70,500 of them were manufactured by Tait Technologies. The tablets measure 134mm square, and the pixel pitch is 50mm. Each pixel is individually programmable. The viewing angles are 180º both horizontally and vertically. We supplied bespoke templates that made animating on the warped screen possible to the animation teams working for ceremony director, Danny Boyle. We controlled all of the LED batons and mapped all content to the unique fixtures with our custom-made media server, Ai, which was the main media server used by the London 2012 ceremonies. “We chose Ai because of Avolites’ substantial and long history in the field of entertainment; and quite simply this is one of the only server systems that can handle mapping on such huge scale. The Olympics was a one-shot event – it had to be perfect – and the strength of the company reputation is reassuring to all those involved. Managing this volume of mapping is easy with the Ai software.” – Frederic Opsomer, CEO of Tait Technologies We used 37 Ai Media Servers and 4 Sapphire-Midi Controllers, all were operated live by Immersive and Avolites Media technical staff. We controlled Installations including: 70,000 Audience LED Pixels, x5 Spice Girls London Taxis, x4 Freddy Mercury moving Projection Screens, x4 Stadium 30m Audience LED Screens, Coldplay Live Stage projection plus all Stadium IMAG screens. For the closing ceremony dance party highly anticipated Spice Girl’s reunion preformance, 5 of London’s famous Black Taxi’s were fitted on the exterior with LED by Tait and equipped on the interior with five mobile Ai servers to control the videos. Special thanks to Dave Green, Trey Harrison, Mark Calvert, JB Toby, and Martin Harvey. Source: immersive.international
  4. Chili Peppers Get Away With Largest Touring Kinetic Lighting Installation Since opening night, social media has erupted with videos, hashtags and comments with fans describing it as “a dream come true,” “a show you can’t miss,” “genius,” “spectacular,” “the best concert I have ever seen.” Even more so, the fans were impressed with the “dynamic glow” from the kinetic light installation that created a nonstop, contagious spirit throughout the night. The kinetic display used over 1000 TAIT Nano Winches to deploy the connected LED light fixtures which hung above the crowd and traveled 60 feet perpendicular to the stage. The light fixtures moved 10 feet per second, horizontally, vertically, in and out of unison, into shapes and into the bands logo, while changing colors from all spectrums of the RGB color grid. The rhythmic lighting and juggernaut movements of the fixtures were accented by the video content being displayed on the massive screen behind the band. The Peppers’ main focus for The Getaway Tour was to provide the audience with an immersive, three-dimensional concert experience, while feeling every groove and lick of their music. To achieve the goal, the Peppers team, which includes Production Manager, Narci Martinez, Production Designer, Scott Holthaus and Manager Peter Mensch of Q-Prime immediately began designing the show and searching for the latest in technology and art. Mensch ultimately determined, after numerous conversations and viewing TAIT’s latest product, TAIT Nano Winch, that TAIT would be the provider of staging, automation, and, of course, the larger than life kinetic light installation powered by TAIT Nano Winches. Source: taittowers
  5. GIF Lighting

    JARDINS DO PALACIO Cristal

    30 vertical light tubes were place along the margin of the lake and different light composition were pre-program. The result was a set of different light/shadow animated sequences that interact with the natural elements of the surrounding space. Source: openfield-creativelab
  6. yǔzhòu is an immersive light installation we were commissioned for the newly created Luneng Sanya Bay Light and Art Festival in Hainan, China. The installation consists of a maze based on a triangular geometry and built of 2,5m high panels of acrylic glass. A dichroic film glued to one side of the acrylic glass converts the panels in semi-transparent and reflects or shifts the light rays along the entire colour range of a rainbow while the spectator moves in the installation. Source: brutdeluxe
  7. ANDRÉE

    Look through #ABSOLUTNIGHTS

    Look Through is an interactive lighting object inspired in diamond-alike shapes and designed to foster unexpected encounters. This "lighting iceberg" is sensitive to the surrounding music (seamlessly changing its color) and the touch of people. Moreover, when two people touch the iceberg from both sides it became transparent, provoking a surprising encounter. All lighting control has been done with ProtoPixel Create and one ProtoPixel controller. This project was designed by ProtoPixel for #ABSOLUTNIGHTS in Barcelona, Spain. Source: protopixel
  8. KEVIN

    Tessellaser

    A scenographic light installation idea, compromising of RGB pixel battens and green matrix beam point lasers. Fully controlled by Resolume Arena's new dmx/artnet features. Source: rebeloverlay
  9. Greenhouse is an art project specially made for Amsterdam Light Festival 2016/ 2017. It is indeed a greenhouse, but fitted with uranium glass. this material has the quality of being transparent in normal light, but when hit by uv light it starts to beam radiant green light of its own. The artwork was made by Dutch artist Victor Engbers, together with SIO2glas and Hotmarks. Source: victorengbers.nl
  10. LEDs ★☆★

    Tatsuo Miyajima: Connect with Everything

    A heady synthesis of modern technology, Buddhist philosophy and visceral experience, Tatsuo Miyajima: Connect with Everything open at the MCA. Tatsuo Miyajima is one of Japan’s most renowned contemporary artists, known for his sculptures and room-scale installations incorporating light and numbers. Tatsuo Miyajima: Connect With Everything is Miyajima’s first exhibition in the Southern Hemisphere. It encompasses his sculptural works, rooms and environments, and performance videos. Time and its passage are explored through the works and represented visually by multiple, small digital counting devices. Miyajima developed his first customised digital counters in the late 1980s, using light emitting diodes or LEDs. These ‘counter gadgets’ remain central to his art today, their red and green palette expanding in the mid-1990s to include blue, then white, as LED technology developed in and beyond Japan.
  11. LEDs ★☆★

    PRISMAtique

    PRISMAtique was a temporary installation for the In Light In Indianapolis Light Festival along the canal downtown. The project seeks to investigate the fracturing of geometry and light through both material and interaction. Material selection was key to this exploration. Through the use of twin wall polycarbonate, light is refracted through the flutes of the material, disguising the origin of light. Each cell only contains one LED, yet through the layering of the extruding panels, the light begins to overlap and create a complex visual effect. This fracturing of light is driven through the project’s interaction. As users trigger sensors in the piece, a sequence of associated LED’s are activated. Because the sequence is inherently random and the LED’s are only momentary, the sources are not apparent. However, the fractured path of users walking through the environment is clear. Each LED is filtered with a custom printed Mylar film that creates at gradient of light from cyan to magenta. The soffit blends white light and printed films to create an exciting three-dimensional atmosphere for users to experience. Our work was among over 25 other projects from national and international artists, encouraging exploration and participation. This inaugural event lasted for two nights attracting thousands of people to the canal, providing provide unique and memorable experiences.

    © http://www.projectione.com/prismatique/

  12. With 28,000 LEDs, It’s Lights! Lights! Lights! Action! Strung across the Metropolitan Opera’s stage on more than two dozen parallel strands, from the pit to the back wall, 28,000 colorful LEDs will create an ever-changing, sometimes tempestuous sea for the Met’s new production of the Finnish composer Kaija Saariaho’s “L’Amour de Loin. The lights are the centerpiece of the staging by Robert Lepage, who runs the production company Ex Machina and has directed theater, films, circuses and the Met’s much-debated production of Wagner’s “Ring” cycle. LEDs solve the problem of how to depict water onstage in an opera about the idealized love of a troubadour and a countess separated by the sea, and they provide a visual complement to Ms. Saariaho’s music, which is shimmering, colorful and luminous. More information is available here.
  13. LEDs ★☆★

    The Speed of Light

    The Speed of Light transforms humble urban design fixtures into a playful rollercoaster of light where simple LED globes accompany visitors as they walk through the neighbourhood. The installation, which is a playful twist on a static light pole, puts the emphasis on the light itself and its movement. The simplicity of the installation is captivating, whilst keeping a minimal appearance.
  14. The installation is controlled via Healium Lightformer, a realtime, node based, 3D light control software, developed in-house. For more information, visit: healium.hu/lightformer
  15. This illuminated arch rises up out of the water and surrounds a foot bridge in Austin, Texas East Side Collective, a co-working design studio featuring co-founder Tim Derrington and member Wilson Hanks, along with Drophouse Design have recently worked together to create a temporary installation as part of the Waller Creek Conservancy’s “Creek Show“, in Austin, Texas. “Deep Curiosity” is an illuminated arch that rises up out of the water and surrounds a foot bridge over the Waller Creek to create the illusion of a never ending circle that inspires imaginative thought and an appreciation for both the natural and man-made elements found in and around the same area. The light installation is made from strips of curved steel that have been welded and formed into a curved arch. The arch is made up of sections that were constructed in a warehouse and were later assembled on site in the water and above the bridge. The partially submerged circular form combines reality with the power of illusion to encourage people to think about and appreciate the complexity of the creek and celebrate the possibility of future perfection in the Waller Creek area.
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